WORTH Community

INDI+E is a non-governmental organization based in Sarajevo, Bosnia and Herzegovina. We are a diverse collective of creative professionals, including designers, artists, researchers, scientists, educators, and more, devoted to fostering innovation through creative methodologies and tools. Rooted in a society once divided by war and enduring long-lasting crises, we now seek to harness our resilient creativity to address the consequences of the past and promote positive change. Our projects aim to raise awareness about social issues, facilitate local and international collaborations, provide opportunities for young creatives, and promote creativity through education. We actively integrate the UN's Sustainable Development Goals into our initiatives and are passionately committed to the transformative potential of responsible creativity. Join us in our projects or involve us in yours to collaboratively create a meaningful impact.

For more information, visit our website at indipluse.org or contact us at infoindipluse [dot] org (info[at]indipluse[dot]org).

Hanna-Kaisa is an experienced designer who graduated from the Aalto University School of Arts, Design and Architecture in Helsinki (formerly University of Art and Design Helsinki, re-organized 2010). She also studied at the Royal College of Art in London. Throughout her career, Hanna-Kaisa has gained diverse experience in various multidisciplinary design roles within business and advocacy environments, including product and concept design. She has also served as the former chair of Ornamo Art and Design Finland. Hanna-Kaisa endorses design culture as a diverse and interdisciplinary ecosystem where professionals from various fields contribute their unique perspectives and skills to the larger whole. Currently, Hanna-Kaisa is a PhD Researcher advancing human-technology interaction (HTI) design. Her research employs fashion as a paradigm to gain a deeper understanding of emotions within sociotechnology, with a particular focus on emerging and transformational circumstances in the face of current disruptions. In addition, Hanna-Kaisa serves as the chair of the Design from Finland Brand Committee at the Association for Finnish Work, promoting the culture of Finnish design and emphasizes the importance of intangible work for Finland's success.

Louise Allen is the Head of Innovation and Development at the Design & Crafts Council of Ireland and from 2014 was the Head of International Programmes for Irish Design 2015.

Her experience ranges across design, enterprise, contemporary art and craft, education, curation and innovation. In her various roles she has led on the strategic development for
 the design and craft sector, forged relationships nationally and internationally and has delivered several EU funded programmes.

Louise co-curated Liminal-Irish Design at the threshold, the flagship exhibition for Irish Design 2015 that toured to design weeks in Milan, New York and Eindhoven and in 2016 and 2017 the Global Irish Design Challenge and Second Skin which explored links between fashion consumption and production.

In October 2016 Louise was elected President of the World Crafts Council Europe who represent 29 craft organisations from 20 EU countries.

Louise holds a joint honours degree in Fine Art Print and Art History from the National College of Art and Design and a post-graduate diploma in European Cultural Project Management.

Sector:Footwear, technology and adhesives   

Francisca works dealing with innovative and sustainable technologies enabling the transformation of the footwear industry towards the new green and digital paradigm. She works in collaboration with the footwear value chain companies, technological centres, universities, industrial associations, and public organisations. 

She has deep experience on the management and development of international projects focused on new product and processes development for the innovation in the footwear industry, including aspects such as IPR, value chain, emerging markets, quality standards and compliance in order to improve companies’ competitiveness, in the framework of research and innovation European Programmes such as Horizon, LIFE, Interreg, Erasmus, SWITCHASIA, among others 

At INESCOP, she is actively involved in the development of several technological demonstrators focused on digital transformation, footwear recycling, sustainability, and enhancing footwear user experience. These demonstrators aim to bring emerging technologies closer to footwear companies to accelerate their implementation.

Author of several scientific and technical publications dealing with material science, key enabling technologies, recycling, environmental impact, sustainability, digital industry, footwear comfort, footwear value chain,among others. She is a member of the European Standardization Committees dealing with footwear and related issues. Since 2003, she is General Secretary of the Spanish Group on Adhesion and Adhesives, and recently she was named as Director of the Footwear Chair San Crispin of the Miguel Hernández University.

Founded in 1990 and recognised by UNESCO since 2011, Cumulus is the only global association and network to serve art and design education and research. It is a forum for partnership and transfer of knowledge and best practices around the world. Cumulus consists currently of 286 members from 57 countries.

Founded by the University of Art and Design in Helsinki (UIAH) (currently Aalto University School of Arts, Design and Architecture) and the Royal College of Art in London, in co-operation with Danmarks Designskole, Gerrit Rietvelt Academy, Universität Gesamthochschule Essen and Hochschule für Angewandte Kunst in Wien initiated Cumulus as a network in 1990. They all had a common desire to enhance the quality of education through co-operation, student and teacher exchange within the European Union Erasmus programme.

Cumulus aims at building and maintaining a dynamic and flexible academic forum which would bring together top-level educational institutions from all over the world. Cumulus collaborates not only with institutions and organisations from the field of art, design and media; the encouragement of co-operation with industry and business is important as well.

Following current trends and demands, Cumulus offers wider international context for discussion and developments in education and research of art, design and media.

• Among the core tasks of Cumulus are the assistance to academic institutions of art, design and media in their development and in enhancing their contribution to society; promotion of a dialogue between Cumulus and international professional organisations such as World Design Organization (WDO), IFI, ico-D, BEDA and others; promotion of a dialogue between Cumulus and national and international academic institutions and associations; encouragement of co-operation between higher education networks in art, design and media and the development of effective networks; promotion of co-operation between academic institutions of higher education in art, design and media and the world of business; offers the Members of the Association the information about the educational, research and cultural policies of different countries and the EU; initiate joint projects such as competitions, exhibitions and awards to promote innovative work in art, design and media.  

To stimulate design actions, projects and research leading to a more sustainable society, Cumulus representatives signed the Kyoto Design Declaration in March 2008.

Assaad Awad (24-April-1974) a Spanish/Lebanese multidisciplinary artist based in Beirut, Lebanon.

14 years in the advertising industry pushed Assaad Awad out of the bubble, landing him in his workshops between Beirut and Madrid. It was an extraordinary move, as his peers described it.

His handcrafted leather and metal pieces were first showcased by the likes of Thierry Mugler, Balenciaga, Madonna, Lady Gaga, Teatro Real, Costume Museum Madrid in addition to numerous editorial appearances in Vogue…

Assaad Awad’s work is known to be artesian and vanguardist, respecting the quality and execution of every piece and designing luxury leatherworks, industrial accessories, and jewelry.

“In a world of copy/paste, we need to go back to the Handcrafted”

Fulvia has been the General Director of UNIC since 2016 and the CEO of LINEAPELLE (International Exhibition) since July 2017. She is also the CEO of ICEC (Institute of Certification) and a member of the Italian Leather Research Institute's management board (Stazione Sperimentale Pelli di Napoli). Fulvia has worked in the UNIC Group (a Confindustria Association) since 1973 in the areas of corporate strategy, marketing, and international marketing, assisting Italian tanning companies in their international expansion and managing external and institutional relations. 

She founded LP Fashion Studio, an innovative showroom devoted to emerging trends in leather fashion, and it provides a unique dynamic resource for all designers and researchers in the leather sector, particularly those concerned with the industry's sustainability. Fulvia has established and supported the tanning business by advocating and carrying out programmes and projects to make the industry more advanced, concerned with the environment, health, and the ethical economy.

Luisa Bocchietto graduated in Architecture at the Politecnico in Milano in 1985.

At the same time, she obtained the IED certificate - Milano for architectural interiors. 

Since then, with her own studio, she works both for public and private clients. She has carried out local projects focusing on development, urban renewal, residential construction, furniture, and events. 

She has curated exhibitions “Dcomedesign” (Turin-Italy,Alexandria-Egypt), “Pop Design” (Caraglio-Italy), “Compasso d'Oro Award” (Lima-Peru’, Bogotà-Colombia, Brussels-Belgium); Design and Sustainability (Berlin, 2019), “SustainabIlity” Wolfsonian Museum-Miami USA, (2021-2022).

Jury member in many international awards (IF, Red Dot, Interzum, Europe Design Award, Szidf, Golden Pin Design Award, CIDI Iberoamericana Interior Design, TIDA -Taipei International Design Award, POC Lille WDC 2020 France, Grand Prix du Design Canada, CGA – China). 

Scientific coordinator of the Design Week in Turin in 2017. 

Ambassador for IDD-Italian Design Day for the Italian Ministry of Foreign Affairs in Barcelona (2017), Berlin (2018), Montreal (2019), and Vancouver (2021).

She has been President of ADI, the Industrial Design Association in Italy (2008-2014).

Board member of ICSID from 2013 (actually, WDO-World Design Organization). She became president of WDO - World Design Organization (WDO) (term 2017/2019). In fact, she is a senator for WDO.

Recently she was part of the Advisors Committee for Valencia World Design Capital 2022 and part of the Scientific Committee for the Candidacy of “Italian Art Cooking” at Unesco.

In her new role at Nagarro which she embraced last year, she contributes to the Life Sciences & Healthcare Business Unit's growth along with a team of worldwide experts. Cristiana was an organizational leader, CEO at ROTSA, and serial entrepreneur who co-founded eight startups. Today she is part of multiple international startup acceleration programs, an independent grant evaluator, an angel investor, and a mentor in +100 tech startups, advising them on their business decisions.

Through multiple 1:1 mentoring activities or through specific programs, she was actively involved in the development of the national startup ecosystem. Thus, she became an ambassador of technological innovations, a promoter of sustainable change, and a supporter of initiatives regardless of the field of applicability, from ideation to MVP, go-to-market, and access to private funds/VC, angels.

Over the years, she has been actively involved in entrepreneurship education and activities, mentoring, business development consulting, creating, and organizing incubation and acceleration programs dedicated to entrepreneurial training and interacting with the world of multinationals and startups.